Creative photoshop cs4 digital illustration and art techniques pdf free

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E-Book Overview. If you are a digital artist, illustrator, cartoonist, graphic artist, designer, or serious hobbyist looking for new and interesting ways to. ‘Book Creative Photoshop CS4: Digital Illustration and Art Techniques by Derek Lea PDF Review’ Read Online Creative Photoshop CS4: Digital Illustration and Art.


Creative photoshop cs4 digital illustration and art techniques pdf free


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Start by pressing the button below! Author: Derek Lea. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher.

I was at university, and one of my lecturers commented that after so many years of state-controlled media, television was their window on the world. Round about the same time, in the early s, the first versions of the program were being developed very much with photo editing in mind. I remember getting my first Macintosh and installing an old version of doubtful legality. Hey, I was just a student!

Having scanned in some photos of a fellow journalism student, and cropping his head into a triangle shape, I began duplicating it across the document and applying different combinations of sharpen, blur, and posterize filters to each version of his now sorry-looking face. A colleague of mine at the time suggested that not only should we ask Derek to create an image for us, but what if we asked him to produce a step-by-step article, complete with screenshots, showing how his piece was developed.

I called Derek up, he accepted, and I promised him a beer the next time I was in Toronto. Derek was showing our readers how they could use Photoshop creatively and artistically. Despite the magic of Photoshop, digitally retouched images often leave viewers cold, and to combat this, many creatives bring natural media elements into their artwork. For a number of years Derek has been enthusiastically mixing media like watercolors and inks, papers, paint on wood—not to mention found objects—and photographs.

The skills involved in combining real-world richness with the flexibility of Photoshop are at your disposal in the new section in this edition. Derek Lea is your man when it comes to image creation—I stick to the words. I started a new job as a designer at a clothing company.

It was a really horrible job, but at least they bought me a new scanner. In those days a lot of scanners came bundled with Photoshop. The first thing I did when I opened the scanner box was to take the Photoshop 2. I know it sounds ridiculous, but in hindsight, that was a pivotal moment for me. I had been working in Adobe Illustrator for a few years by then, but Photoshop seemed like a bottomless pit of creative possibilities.

I began spending hours and hours every night just experimenting. As a result of this endless experimentation, I gained enough knowledge and experience to successfully land myself a position as a professional retoucher at a photography studio. This meant that I could spend all day, every day, working in Photoshop.

The problem with hiring artists to do retouching work is that although they may be good at it, they get bored. I was no exception. Yes, I was getting good at making cheap jewelry look expensive, and making static cars look like they were in motion, but the novelty of those achievements wore off quickly. Frustrated and bored with my work, yet still in love with Photoshop, I began to deviate from working with photography in the classic sense.

On my own time, I started to experiment with different methods to create actual artwork within Photoshop. I began entering contests and then winning awards. The next thing I knew, I had art directors calling with commissions and just like that I became an illustrator.

Illustrating digitally allowed me to work all day, every day, within Photoshop. I was featured in Computer Arts and developed a working relationship with them that continues to this day. They started asking me to not only illustrate but to write for them as well.

Working with Computer Arts really lit a fire under me creatively. The commissions from them constantly demanded new things and challenged me both creatively and technically. Why does the world need another Photoshop book? As a Photoshop neophyte in the early s, I was always hungry for resource materials.

I would scour the local bookstores looking to be informed and inspired. What I noticed then was that Photoshop books, more or less, fell into one of two categories. There were books that contained beautiful collections of digital art. These books would inspire me with their rich and thought-provoking images, but they lacked detailed instruction on how to achieve those results. Generally offering lots of information, instruction, helpful hints, and tips, I found these books always lacking in the inspiration department.

Granted, I found some useful information in these books, but more often than not, I had to read the chapters on faith alone. Basically, I would hope that afterward, I could do something remarkable on my own with the knowledge they contained, because the imagery within those books never really impressed me. What you hold in your hands is the book I always wanted. My aim is to inspire you as well as inform you.

I have spent a great deal of time perfecting a variety of artistic styles and working practices in Photoshop. And I have also spent a great deal of time producing images that I hope will inspire you to learn. This book is for those of you who not only appreciate art but also want to know in explicit detail how to create it on your own. There seems to be an infinite amount of Photoshop books out there, and many of them are excellent. How to use this book This book is a series of projects.

Each chapter opens with an inspirational image, and the step-by-step instructions required to re-create that image immediately follow. This book is written in a nonlinear manner, meaning that you do not have to start at the beginning and progressively work your way toward the end. Each chapter is independent of the others, so you can start wherever you like and move around randomly from one chapter to the next.

This book includes variety not only in style and subject matter but also in technique and working methods. Fundamental and essential working methods will appear repeatedly, but each chapter definitely has something unique to offer in terms of both technique and artistic style. A guitar teacher once told me that the best way to teach someone to play is to get him or her working on something they like straightaway. That is the approach I have taken here.

When knowledge begins to fall into place as you work, and it most certainly will, the proverbial light comes on. It falls into that mysterious category in-between often referred to as intermediate. I have written this book assuming that you, as the reader, know your way around Photoshop and understand the basics. I am assuming that you have an idea of what the tools do, what layers are, the difference between vectors and pixels, etc. For those of you who possess more ambition than Photoshop know-how, I can certainly relate.

My advice to those who are just starting out is to get familiar with the Photoshop Help menu. Any time you get stuck, you can do a specific search. The results will explain anything you need to know about using a tool or function in Photoshop. Some of the tips pertain to the instructions on a particular page, but many are additional hints and pieces of advice which will prove useful for almost anything you set out to do within Photoshop.

Feel free to flip around the book and examine different tips, just as you would randomly flip from chapter to chapter. Tips are divided into six categories, represented by different icons as follows. Shortcuts These time-saving tips will shave hours off of your time spent working.

Whether it is a keyboard command or a quicker way of doing something, these tips will allow you to focus on creating, rather than spending all of your time executing certain tasks the long way. Info These tips contain useful tidbits and extra information that may not be addressed in the step-by-step instructions within each chapter.

Or additional, more detailed, information is provided to accompany a specific stage in the process. All project files are available for download in the project files section of the Creative Photoshop Web site. Caution Be extremely careful when you see this tip. You are being warned of potential pitfalls and must carefully pay attention to prevent things from going horribly wrong. Creative tips Creative tips provide valuable hints and advice regarding the artistic process of creating within Photoshop.

Everything from unconventional tool usage within Photoshop itself to hints on how to extract resource materials from the physical world surrounding you is included here.

Visit the Creative Photoshop Web site and explore the user forum. Share knowledge with, and ask questions of other readers. Be sure to post your finished images within the user forum for everyone else to see. Join the Creative Photoshop community at www. She has always encouraged and supported me. Even when I decided that writing a book would be no problem with a brand new baby in the house.

And speaking of babies, a big hug and thank you goes out to our wonderful daughter Charlotte. Her mission thus far seems to be teaching the old man that there is much more to life than work. She is succeeding. She is the wonderful new addition to the family that coincided with the CS4 edition of this book.

Thanks to my mother for always being supportive in my pursuit of art. She always made sure that I received art supplies every year at Christmas. I hope she plans to continue this tradition with her granddaughters in the years to come. Thanks to Garrick Webster for writing the foreword to this book, and also for being the person responsible for turning me into a writer all those years ago. Thanks to Philip Cheesbrough for changing my life by introducing my art to the entire world; seriously Phil, it may seem insignificant to you but this was a life changer.

A special thanks goes out to Rob Wright at the Toronto Star newspaper. He was the first person to ever commission my work regularly, and although he claims that he was only exploiting me at the time, this was integral to me becoming a successful illustrator.